First off we decided that Tayler would do the production of the poster and I would produce the film magazine cover. Therefore, we decided that I would research ideas for the poster, and she would research ideas for the magazine. We started off by deciding that we wanted to carry on with the colour scheme from the Topaz Spectre's costume of blue and yellow. If we had put the yellow in the middle as the main colour it would have looked very domineering, so we decided to make a yellow border around the blue middle. To create less of a boring background we made a gradient to make the background interesting. From our research you can see that we decided to put the symbol on top of the poster, this also links in to our colour scheme. We also included the title of the film in in a cartoon style font, in white which would stand out from the rest of the poster.In addition, to make the poster more authentic we added the production logo for 'Dino Films' down the bottom left corner of the poster. To link the ancillary task in to our main trailer we added the quote from the ending sequence 'Only the villains miss out'. We added the names of the main 'stars' in our film to the top of the page, and added the date of release to the bottom. Finally we added all of the credits in between the title and release date, and the Why Fronts logo in the opposing corner to the Dino Films. I think that our ancillary poster links in really well to our movie trailer and could hopefully create a good professional image for the merchandise base.
In what way does your media product use, develop or challenge the
forms and conventions of real media products?
Our media trailer follows many of the forms and conventions of
real superhero trailers. We have included a production logo at the beginning of
the trailer, which is usual in most movie trailers. We also started with an
establishing panning shot which we found a very common feature in most of the
trailers that we analysed. The audio that we used started off at a slow pace to
begin to introduce the film, and then as the action got more intense so did the
music. This accompanied the action in the trailer, as the narrative started off
slower, but then as soon as she discovers her superpowers it gets faster, and
the shots get shorter and the transitions become sharper. However, we used a
narration to help retell our story, which was less common in superhero movies,
such as Spiderman 4. In fact, when a narration is used it was normally obvious
that it was the protagonist who was narrating it (such as in kick ass), however
in ours it is a completely platonic character. We also don't include any
dialogue in our trailer, as we felt that this was not necessary. Following the
conventions of many movie trailers we used fades as the main transitions throughout
our trailer, as we felt this helped to pace the story.
Teaser trailers are often described as being short, with only a
small number of clips to tell the story. We stuck to this description well with
our trailer, as it is a few clips that portray the necessary information to
understand the storyline, whilst also showing off the highlights of action in
the movie. However, we have not made our teaser trailer short. With our teaser
trailer being of a massive 2:30 we challenged this common convention, because
we felt it was impossible to contain all of the other forms and conventions
that were required in a superhero trailer in the amount of time given.
We also challenged the forms of normal trailers by giving ours a
feministic touch. In all of the other superhero films we looked at showed the
main protagonist character as a male, and the helper, was female. However,
because front he beginning we decided we wanted to put our feministic opinions
across, we decided to make the main superhero female.
True to the conventions of normal superhero trailers, we used some
special effects in our trailer, for example the invisibility cloak. We were
going to contain an explosion as there was one in one of the trailers that we
studied.
How effective is the combination of your main product and your
ancillary texts?
Our ancillary texts and main product would be seen
together to create a professional promotion for our movie. Hopefully the
combination of all of our products would create a range of positive promotional
material, which would appeal to our target audience to watch our movie.
We anticipate that our movie poster would be seen on billboards
around big cities, which would hopefully draw people in to explore our movie
more. It could also be seen outside cinemas in which it would be played after
the release date. We wanted to make our poster and film magazine very
different, so as to create a wider range of promotional material. Because of
this, and also due to our product research, we decided not to include a picture
of the superhero in our poster. We decided that the best way to link our poster
to our film without the main character on it would be by the use of the logo.
This links in to common conventions of superhero movies, as they always have a
logo which can easily be associated with the character. In the film magazine
cover, we used a picture of the main character which was adjusted slightly to
link in with the style of the magazine, with a black outline around the image.
We included a freebie which linked in to the movie subject, which was a free
mask.
Both of our ancillary tasks linked together by using the
same colour scheme, which is mainly primary colours. We looked at other
superhero film merchandise and discovered that most of the colours used were
very eye-catching and would mean that when the audience look at it,
they would link the colours and recognise them in the future as being part of
the specific film. For example, we used all of the primary colours in our
merchandise. This means in the future, hopefully people will see some of the
primary colours and it will immediately remind them of our movie. The colours that we choose represent the simpler storyline and issues which are shown in our trailer. The genre of our movie can be seen semiotically through the signs of the superhero costume, which clearly represents the genre of our movie. Also, the continuum of the semiotics throughout all of our tasks easy relates all of the products together to gain audience interest. We want the audience to be able to see through the semiotics of reading signs and linking colours together that connote to superhero films. There is a message of light heartedness and humour which runs through all of our products which helps us to denote the target audience.
I would also hope that to gain some business from our target audience we could be advertised by certain companies to promote our film, using both our ancillary and main tasks. It is completely necessary that we use social media to promote our film, as the demographics we are targeting are the main users of the online social media. For example, video adverts are becoming more and more popular in the UK, with around 66% of the British population watching a video advert in the course of the month. One of the best sites to get a video advert on to in terms of promotion would be YouTube. YouTube is the third most popular website in the UK, (behind Google and Facebook) and dominates 70% of the video adverts watched online. We could of course also move to more traditional methods and promote the film using flyers, film festivals, and screening the film at cinemas. We would have to gain a partnership with a film production group, so that we could get some support and get our film shown to the masses in the cinema.
How did you use media technologies in the construction, research,
planning and evaluation stages?
Throughout all stages of our production we used a wide range of
media technologies, which helped to develop our production skills. During the
research and planning process we used Internet search engines such as 'Google' to find out
relevant information that we could use to aid our decision making. We also
watched trailers on 'YouTube', which allowed us to not only watch and study
industry based production trailers, but also other students work from up and
down the country to analyse. We were able to use embedding to fix these videos
on to our blog in an easy to watch format. We also embedded songs for our
choice of soundtrack for the audience to interact with giving the option to listen to, from SoundCloud and GrooveShark. Throughout the whole construction, research, planning and evaluation we used this website, Blogger, to display our thought process in easy to post blog posts. This website also gave us the chance to join a central hub along with all of our class mates and also our teacher, which gave us the option to interact with each other. This meant that our teacher could post updates on what criteria we needed to be meeting by certain times, and also so that she could comment on individual posts and tell us of anything we could do to improve. We used other Internet based websites such as slideshare, which allows us to transfer Powerpoints from Microsoft PowerPoint straight in to embedding them on our blog. My favourite tool during our research, and probably the most useful is an online tool which allows us to send out surveys, and interpret the response is Survey Monkey. We used the school email service to send the survey out to our target audience in our school.
To do the filming we used my Canon PowerShot camera, which is HD ready. We were pleased with this camera because the quality is very high, which meant that we wouldn't have any 'fuzziness' in the videos. It also recorded sound in HD, but we decided due to our research that we wouldn't include any diejectic sound or speech, but only a soundtrack and narration. It was also very handy for both of us as we didn't need to arrange with our students to borrow the cameras which were lent our at school. The only exception to using this camera was with the rope swing shots which we shot on a HD Nokia 96 camera as we were unable to take my camera on all the activities. To achieve the straight filming we used a tripod to do all of the filming, and where we were filming in any uneven surfaces we created a platform to rest the camera on. Because we are limited living on an island to the type of scenery we can shoot it was very lucky that I have a car we were able to use. This meant that we didn't have to rely on any public transport which would of limited the time available to shoot. To do any effects on our trailer we used After Effects. Due to us not having the funds available to buy this software, we had to download the trial version, and wait for it to be installed on the school computers. When we started off using this software, we had no idea what we were doing, and there wasn't anybody at school who could train us, so we had to teach ourselves. We had some help in this by the online guru Andrew Kramer, who posts videos on tips and tricks for After Effects. Learning to work After Effects helped to expand our creativity and also decide how to move forward our story. To put our first draft together we used Windows Movie Maker, but we decided this didn't really achieve the professional effect we were looking for. Halfway through our production process I purchased a MacBook Pro which allowed us to use iMovie to construct our trailer. This helped us to create smooth transitions between all of the shots in our trailer and make the story run a whole lot easier, whilst looking more professional than the previous draft. To make our ancillary tasks we used Adobe Photoshop, which both of us are used to working in due to also taking Photography A Level. This program is once again industry standard which allowed us to create expert results in a short amount of time. The ability to work in layers meant that we could easily edit anything once we had finished with. For our soundtrack we used iTunes to collect ideas of different songs that might possibly work with sections of our trailer. This also meant we could play the song alongside the specific section of the trailer to see if it worked like we anticipated. To merge all of our songs together in to one soundtrack we used a MacBook program called GarageBand. This program allows you to professionally join two songs using different transitions such as fade, or slice. We found this program very difficult because once again neither of us are used to working with it, but we managed to overcome this by teaching ourselves to do anything that we required.
What have you learnt from your audience feedback?
Our audience feedback was the route to success for our media trailer. Right from the beginning we both agreed that we would base the majority of our decisions on any feedback that we had received from our target audience. We started our audience feedback by sending out a survey to our target audience of both genders from the ages of 13-19 who are all in full time education. We used survey monkey to do this and based the genre and idea of our film on these results. Since both of us have an avid interest in superhero and action films we had an idea that this was the genre of film we wanted to create but we wanted to make sure it would be a hit with our audience. When the results came back to say that a higher percentage of our target audience would be interested in a superhero movie we were very happy, as this meant we could continue with this theme. We also chose the powers for both the protagonist and the antagonist by this means, although you never actually see the power of the villain. We put all of our results in tables and graphs which allowed us to read the results easier and make more feedback based decisions.
As we processed along the path of creating our trailer we showed our drafts to our focus group. We selected the focus group of our peers at school from different backgrounds but all in our target audience to give us a varied response to all of our productions. We formed a good relationship with everyone which we felt important as it meant that they could tell the honest truth to us and not have any inhibitions. Their feedback was increasingly influential towards the decisions that we made and they helped to make our production more successful.
By aiming our production at teenagers gave us the benefit because we are both currently teenagers at the age of 18, and we have experienced all of the ages below, so we know what children of that age are looking for. Also, it meant that we could play around with the prices of our ancillary task magazine, because school students have the highest disposable income. This is due to many of them having part time jobs but not needing to spend the money on any rent or essentials as these are still bought for them by their parents.
Because I had done most of the research into the layout of our poster, while Tayler had designed it, we decided to switch roles for the film magazine so we could both experience the editing side of it. This powerpoint shows the movement of our magazine as we created it from scratch.
We decided that we wanted our film magazine to stand out from any other similar magazines that may be on the same shelf as our product. After doing some research in to other magazines we found that a lot of them used quite dark colours, with a brighter colour for the title of the magazine. We however wanted to contrast this, and decided to use the primary colours, as the main colours for our magazine. This worked very well for us, as blue and yellow are the main colours of the Topaz Spectre, as this is what the costume is made of. We decided that the red would be the primary colour for the magazine, so this is what we put the title in. We noticed that when looking at film magazines, for example this one, that if the background was quite plain, it contained some gradient so it wasn't' completely solid. As the first slide shows, we started off with a radial gradient of blue and white underneath the character. We used the image of Bella that Tayler had 'cartoonized' for the introducing sequences of each character. To remove the background which you can see in the trailer, we simply used the magnetic lasso tool, and deleted the background. Also, to get the black line around our character, we double clicked on the layer and then selected the 'stroke' option and customised it until we were satisfied. This outline exaggerated the comic strip feel we wanted to achieve with our trailer. We positioned her to the right side to go against the normal conventions of a centralised character so that we could fit more information around to her left side. On the next slide you can see that we changed the gradient so it is more of a diamond shape. I personally like this a lot better because it looks like the light is coming from the character, which enhances the superhero theme. We also added the title of the magazine in along the top of the cover in a thick red font, so as to draw the attention to it. Following the conventions of other film magazine covers, such as this one we covered up some of the magazine title with the head of the protagonist. Tayler also had a good idea to place a film strip along the bottom of the cover, which will later be filled with some images from other movies which we are advertising in our magazine. This also helps to continue the comic strip theme, but also links back in to film as it is a film strip. The next thing we had to do was to add some text in to the cover. So as to link the writing about our film into the picture we decided we would use the same outline effect that we used on the picture, just with different colours. For the title we used a simple black and white contrast which we thought would stand out from the rest of the primary colours used on the cover. Then for the description of the link inside we used the signature colours of Topaz Spectre, with the outline included, then flipped over the colours for the actresses name, so as this might influence an audience member to buy it as Bella McCrimmon may be their favourite actress. We also included a link of what page it could be found on. On the following slide, we have added in the normal details on a magazine cover, such as the barcode and issue number, along with the website. I have also added in a puff for a freebie which will be inside the magazine, as a free mask, with an image of one that looks very alike to the mask that Topaz is wearing. This also helps to attract an audience as people are always drawn to things for free, and especially for major fans of the movie as they may want to feel like they are inclusive in the movie, as they will have the same mask as her. On the final slide, you can see that we simply added the finishing touches to our magazine cover. We filled in the areas in the film strip with pictures advertising other films. We had a slight issue because we didn't realise that any other images on our magazine had to be our own, so we couldn't simply add in pictures of films such as Harry Potter. For one of the images it was based on a fellow classmates movie, so we had easy access to that. For the other images we simply went around and took some pictures of things we thought could be advertising other movies. Then we added the page numbers on the signature colour of the magazine over the pictures. We also added the magazine website in the top left corner, and the price in the bottom right. Finally, we decided we wanted another puff to persuade people to buy our magazine, and we put this on in the form of an arrow. We wanted to break away from the constricting colours of the Topaz Spectre theme, as this puff wasn't anything to do with our film, and we found that the pale green worked quite well. We chose the font because it reminded us both of the typical action adventures, which we decided would be the main genre of the magazine.
Overall I am very pleased with our film magazine. I think that it looks very professional and I could see it on the shelf alongside other magazines.
We researched several superhero movie posters and we found that most of them contain the logo as the main image, so we will probably link this back in to our own poster.
"I'm pleased you stuck with the opening sequence, the 'Dino productions' made it
even stronger. I really enjoyed the trailer, I'd like to go and see this
film"
Liam Wraxton
"The music works really well I really like how the tempo of the music fits with
the action we're watching and the crescendo at the end is really strong. If I had
to give you any critical feedback it would be to incude a wider range of shots
in the action section at the end some seemed repetitive."
Bella McCrimmon
" The comic strip introduction really fits with the theme and I now understand
the characters and plot much more."
We have decided that the song Ulysses doesn't really fit in with the action which is happening at the point where it is playing. So we went back to our contenders for the soundtrack audio, and found that we quite liked some of the effects in Pulps - Do You Remember The First Time? We also discovered that are some really nice sound effects which really suited the transfer of Bella becoming invisible. We worked this around the events in the trailer, so that the music came in and went out at the right time. This is our finished soundtrack:
There are many things which could effect the experience for the audience who are watching our trailer. When people watch our trailer they will be watching it in the cinema before they watch the movie that I have chosen. This means that they will be watching it on the big screen, and the sound will be of a high quality, which makes it more likely that they will be drawn to watch our film when it is realeased. Therefore they will be in Primary Involvement, as all of their attention will be focused on the screen, and they won't be doing any other tasks such as ironing at the same time. After the viewing, in the post viewing stage, I hope that my trailer will remain on the audience's mind, and that they will not be able to forget it. This will hopefully mean that it has had some sort of impact on the viewers, which means that they will be likely to return to the cinema to see it.
These were the videos that I took from the rope swing at Go Ape. The first video is just one of me going along the rope swing first, so you can see what we were doing to capture the videos. You can see that we are attached to a harness which we are very safe in. We then jumped off of the platform and threw ourselves along the rope swing. They varied in length throughout the course, and I didn't video all of them. I think that these shots could be used to great success in our film trailer.
Problems and solutions:
Our main problem during and after shooting was the shakiness of the shots. Obviously, it was quite hard to hold the camera steady while I was moving fast along a zip wire, and I wanted to enjoy the experience without worrying too much about the camera. Luckily for us, on After Effects there is a feature which allows us to auto stabilise the footage, which should help greatly.
We have decided to scrap the idea of using Liar Liar in our trailer. As we have progressed along making our trailer, it has become less of a light hearted film. Also, we want the audience to feel sorry for Georgia, and we both felt that the previous choice of song would make it seem too happy, and give the impression that she might have a bit of an easy life. We have been thinking more about our choice of soundtrack, and have been going through our iTunes and finding songs which might be acceptable if we could find karaoke versions. Here are some of the contenders:
Love Death Birth by Carter Burwell on GroovesharkUlysses by Franz Ferdinand on GroovesharkPlane by Jason Mraz on GroovesharkA Thousand Years by Christina Perri on Groovesharktoo little too late by JoJo on GroovesharkDo You Remember The First Time? by Pulp on Grooveshark
We have firmed the idea of using the Kick Ass soundtrack, so these songs would be coming at the beginning of our trailer.
After we had done our first draft of our teaser trailer, our focus group had some different points which we felt needed addressing. One of them was that we didn't include enough variety in our shots. I can agree with this to some level because there are only a few that we use, however, we do use some different ones, such as a high angled shot, panning shot and over the shoulder shots. We do also take shots from different heights to show a depth in our filming. For example, I went up to the top of the crane 180 feet high to do an establishing shot, and we also did some shooting from the top of the building. However, we decided that we would look at some more film trailers for our genre and take two shots from two trailers each that we liked and incorporate them into our trailer.
Taylers first choice was one of the shots from the new Spiderman movie trailer. She especially liked this shot:
We tried to think of different ways that we could capture this movement, because we do not have the equipment that the Hollywood directors have to capture this complex shot. We thought about attatching the camera to a rope swing, along with me, and swinging across a local park and creating a movement shot like this. However, on the date we were due to do the filming, we discovered that the rope swing we had been planning on using had been vandalized, so we had to think of an alternative. I suddenly realised that I had trip planned to Go Ape.
Go Ape is a tree top adventure which enables you to go swinging through the trees attatched to harnesses. There are several zip wires which you can swing for miles along the the forest with great views. I thought that this would be perfect for our trailer, as it is high up, and it could also be a point of view shot from the Topaz Spectors eyes. I took my camera to Go Ape and did some filming as I was riding along one of the Zip Wires. Where I went here in the New Forest there are six different zip wires of varying lengths and heights. I took videos from about three of the zip wires and also took some images just to show where abouts I was and the environment in which I filmed in. I did not have to create any sort of risk assesment for this activity as it had all been done by the company. At all times while we were above the ground I was wearing a harness which was attatched to a wire above me.We also underwent a rigorous training programme to ensure we were safe at all times.
Here are some of the establishing shots of the location where I was filming:
The locational idea also meant that we could draw inspiration from one of the first tracking shots that existed, which was created in the 1981 film 'The Evil Dead'. Although this movie is of a completely different movie genre to our trailer, it revolutionised the tracking through trees shot as it was one of the first two use it, and it is now being used throughout the filming industry.
We had a focus group of 6 people who had varied ages throughout our target audience of 15-18 year olds. We asked them to review our second draft of our movie, which can be seen here. This is what each of them said that we could work on to improve our next version.
Liam Wraxton - 15
"The characters need to be introduced, especially the superheroes, as we never actually learn what they are called."
Henry George - 16
Thomas Hobbs - 18
"Some of the transitions didn't help to move the story forward, they were too snappy. You should also work on making the cuts smoother, like when Topaz Spectre kicks the door down "
"The ending shot wasn't strong enough to create a lasting impression, and you should think about including some credits. However, I really liked the opening sequence."
Eloise de Carvalho - 15
"The order of shots in the trailer were jumbled up too much and didn't create a flowing sequence that was understandable. There were also some large gaps in the plot and unnecessary repition."
Bella McCrimmon - 18
"You need to include some strong background music, maybe you should consider narration or text to help the audience understand the story, I know it would of helped me."
Paige Farrell - 17
"Some of the shots dragged on a bit, it would of been better if the pace was increased by cutting shots sooner"
We have kept the opening sentence the same from the first draft of our teaser trailer. We have changed the school shots because we felt that the canteen shot had too many distractions in it to be succesful. We also really like how the scene enforces the fact that Georgia is a very lonely character. We also sped it up a bit to fasten the pace of the narration. This then cuts to some shots where she is returning home from a hard day at school. We had to reshoot these as we used too much zooming in our original filming. We also had to include some different shot angles as both of our teachers thought they weren't varied enough. One of my favourites is the shot from below the steps as Bella walks down them into the camera. We reshot all of the first shoots with the same ideas in mind as the first shootings. Tayler came up with an idea of placing the camera inside the box and watching Bella's facial expressions as she opens the box and is shocked by the cape inside. We have changed from the mask to the cape, because we felt that the mask idea was not strong enough to carry on with the theme. We then did a variety of different angled shots of Bella opening the package, which we could then chop and change further on. Finally, we did lots of reshoots of Bella pulling the cape across her, which I will then edit on After Effects to make her turn invisible.
We are next going to show this to our focus group this draft, to get their perspective of it and to see what we could introduce for the next step.
We decided from the beginning that we wanted a soundtrack which would accompany the action appropriately at all times. Because of this we knew that we would have to create our own soundtrack with different songs merged together. There were many things that we knew we wanted to do straight away:
- Use a variety of songs
- Use different songs with a wide range of tempos, textures and rhythms.
- Not use any really popular songs
- Make smooth transitions
- Make sure that they accompany the action and help to pace the story
We began searching for some songs that we could use in our trailer. We didn't want to use any songs are in the charts at the moment as we both feel that if someone recognised the song then it might distract them from watching the actual trailer. One of the first songs that we thought of, was this song, which is Never Shout Never's - Liar Liar. We liked the instrumental part of this song at 0:22 right up until 0:31. We thought that this music would demonstrate how our trailer is supposed to be a light hearted movie, but with a bit of a serious twist nearer the end. This music would be used for the beginning part before she discovers her superpowers.
We have also thought about using the sound score from the hit movie Kick Ass as well. We are going to use the bit where Hit Girl rescuse Big Daddy, as we feel we could use this near the end of the trailer when all of the action is happening, as this would accompany it well.
Kick Ass soundtrack Hit Girl rescue scene by Kick ass soundtrack on Grooveshark
We won't be using all of this music in our soundtrack, as it is 4 minutes long, however we can cut little snippets of it that we like.
I am a volunteer at the local hospital radio which is located in St Marys Hospital
in Newport. I have volunteered here for 2 years now after undergoing a training regime, and now have my own one hour show every Monday. We decided that it would be a good idea for us to record our narration here, as the audio would be of high quality.
We took Henry and Bella there with us, as we had decided that Henry would do the narration for us (He also plays the part of The Infinitive) and we thought it would be a good idea for Bella to join us in case there were any last minute changes to the script. The script was planned as follows:
Gerorgia Murphy was an ordinary girl
Invisible to the world
Until, everything changed.
Bella McCrimmon is, Topaz Spectre
Henry George, as the Infinitive
Coming Soon.
The whole recording process was fairly simple. We used the attatched microphone to do the recording,which we turned up and down with the red fader that you can see in the last slide. We recorded all of the transcript on to a minidisk, which was then changed to CD format by my station manager. He split all of our recordings up to two seperate clips, one for what he believed was the correct recording, and one for us messing around and giggling. Here is the mp3 of us doing the proper recordings:
Overall I think that our recording was very succesful.However, a comment was made by my station manager that we were probably speaking a little too close to the microphone, as it seems a bit crackly. If we had time we could redo the recordings, but I think these are ample.
The Uses and Gratifications theory suggests that people will go to the cinema because they hope to be either, informed, entertained, or they will go if they believe they will be able to identify with any issues in the target film. Topaz Spectre is an action/adventure superhero movie, which means that it is very unlikely that it will be informative at all, and there are no big issues addressed which people would be able to identify with, as superheroes don't exist, so it is mainly entertainment fuelled. Hopefully, when the audience watches our film, they will be entertained by it, and so they will have recieved gratification with what they have viewed, making the viewer active. This theory can be taken to a new level, by thinking it too far. For example, if I were to go and watch many more films, and become very reliable on the information supplied, it would take away my independance and make me less of an active view, and make me passive, meaning the Media is controlling what I believe in.
Most films are aimed at a passive audience, which means that whoever is watching the film doesn't really look in to a deeper meaning of the movie, and doesn't understand why certain decisions have been made for the trailer. If I were to go and watch a movie as a Media student I would watch it actively, as I have a better knowledge of film and would be looking in to why decisions were made to include certain shots and audio features. Another reason why the audience would be more passive, is because they wouldn't have much life experience from what is going on on screen. They may be able to empathise with Georgia Murphy, when she feels rejected from school, however they wouldn't know what it is like to develop a superpower. Hopefully, my film will inspire the audience that superheroes could actually exist, as it may give them some optimistic feelings towards these possibilities. This could link in to the Hypodermic Needle Theory, which suggests that what people see, they believe. I hope that our trailer could encourage the audience to look at life differently, in a place where superheroes and these kind of 'magical experiences' could exist.
Me and Tayler decided from the beginning that we were going to move our deadline before Christmas so that we would get our main task done before then, and during the last 2 months of the project we would simply have to do our ancillary tasks and finish little bits on our trailer to make it of a higher quality. As you can see on the calenders at the beginning of most of the posts on my blog, we have stuck to the deadlines and dates we made for completition of parts of our trailer. This is what we have completed so far:
Filmed approximatley twelve hours of footage
Made 2 attempts of 'Georgia Murphy' becoming invisible
Created some attempts of explosions
Become more advanced in After Effects
Created a title sequence
Recorded a narration soundtrack
Decided on our sound score
Created a rough draft
Posted some of our work to YouTube for feedback
Created a survey
Research
We have done most of this in just over one and a half months as we began this project mid way through October. However, by creatign our first draft we have both agreed that we do not have enough footage. So during the Christmas Holidays we are going to work on the post production and editing of the shots that we have so far. We are going to also continue teaching ourselves After Effects as it is a very complex program that we have had many problems with [LINK] Afterwards we will be filming the finishing scenes for our trailer and then begin the work on the Ancillary task. I am pleased that we did move our deadline forward because it means that we have done the main brunt of our work before Christmas, so that as long with the work for our other subjects, which are all very coursework heavy, we don't have to worry about filming. Also, where we did a lot of our filming before December/November, it wasn't getting dark so early in the afternoon.